(..) how do you exercise the restraint that simplicity requires without crossing over into ostentatious austerity? how do you pay attention to all the necessary details without becoming excessively fussy? how do you achieve simplicity without inviting boredom?
the simplicity of wabi-sabi is probably best descibed as the state of grace arrived at by a sober, modest, heartfelt intelligence. the main strategy of this intelligence is economy of means. pare down to the essence, but don't remove the poetry. keep things clear and unencumbered, but don't sterilize. (things wabi-sabi are emotionally warm, never cold.) usually this implies a limited palette of materials. it also means keeping conspicuous features to a minimum. but it doesn't mean removing the invisible connective tissue that somehow binds the elements into a meaningful whole. it also doesn't mean in any way diminishing something's "interestingness", the quality that compels us to look at something over, and over, and over again.
: leonard koren, wabi-sabi for artists, designers, poets & philosphers
//
tags
amina cain
anna bineau
anne carson
anne frank
anne truitt
antonio machado
arita baaijens
audre lorde
beth kempton
byung-chul han
charlotte brontë
christian mcewen
christopher neve
clarice lispector
cy twombly
cézanne
david abrams
david whyte
diane ackerman
dostojewski
dr. flowerville
elizabeth strout
emily brontë
emily dickinson
eve kosofsky sedgwick
frederick franck
friedrich nietzsche
heidegger
hélène cixous
iain mcgilchrist
ingeborg bachmann
j.d. salinger
john daido loori
joke j. hermsen
kate zambreno
kathleen jamie
kenneth white
krupa ge
leonard nolens
leslie jamison
linda gregg
maggie nelson
marcel proust
marina tsvetajeva
mark nepo
martin gayford
mary oliver
mary ruefle
miek zwamborn
rachel kushner
rainer maria rilke
ralph waldo emerson
robert macfarlane
seneca
simeon ten holt
solvej balle
suzanne scanlon
thomas a. clark
thomas merton
today's notes
tony mcmanus
tove ditlevsen
virginia woolf
w.s. merwin
walt whitman
ziel